Spock: The needs of the many outweigh the needs of the few. McCoy: No! The radiation, Spock! It's suici-Ĭaption: Spock sacrifices himself to save the ship: Kirk: Scotty! Warp speed or we're deader than the costumes from the last movie! From Hell's heart I stab at thee! For hate's sake I spit my last breath at thee.ĭavid: He's activated Genesis! We have four minutes! McCoy: Chekov, you have an eel in your ear!Ĭhekov: Sorry, can't hear you. Saavik: The survivors beamed inside the planet. I had to scan this strip three times after noticing in earlier scans that I'd missed details, and got out the pens again to add them in. There are way too many details to remember. I could have done twelve panels just on that one scene, but practicalities forced it to be condensed slightly.Įven though these uniforms are cool, they're a lot more fiddly to draw than previous ones. Not only does Wrath of Khan deliver on the villain and the story, but it has possibly the most shocking scene in all of Star Trek: Spock's death. Prologue and Main Title*† (6:29)ĩ.I believe that's the angriest Kirk I've ever drawn. That Old Black Magic/Tangerine/I Remember You) (Johnny Mercer–Harold Arlen)/) (Mercer–Victor Schertzinger)/) (Mercer–Schertzinger) (Bar Source) (10:32)ĭISC TWO-1984 Soundtrack Album 1. Greig McRitchie orchestrates, James Horner composes, conducts. The score was recorded by Dan Wallin at Paramount in February 1984. Detailed booklet notes are by Jeff Bond and Lukas Kendall, with colorful graphic design prepared by Kay Marshall. The complete score presentation was mixed and mastered by Mike Matessino from the original 3-track stereo film elements. As such, the original album presentation is also included in this Intrada release on CD 2. Customary for the composer, takes used for the film are often different from the their album counterparts. In balance is “Spock Endures Pon Farr” with haunting strains of Spock’s motif featuring ocarina over vibraphone. Amongst the many highlights here are the dramatic “A Fighting Chance To Live” that underscores plans to destroy the Enterprise vessel and “Genesis Destroyed”, heard as the planet disintegrates. This current Intrada 2-disc release, reprising the FSM presentation, adds over 20 minutes of music not on the Capitol version.
The Capitol label released 47-minutes of music on their original 1984 album. Amongst many highlights, spotlights go to Horner’s lengthy “Stealing The Enterprise”, a tour-de-force of exciting ideas, fanfares and nautical adventure.
In dynamic contrast, Horner creates exciting barbaric action material for following “Klingons” sequence, featuring clanking percussion and Tibetan horn.
In dramatic fashion, Horner opens with haunting material and moving ideas for opening flashbacks prior to the title reveal. Newcomers will discover James Horner launches into the search with an expansion of material he introduced in his 1982 Wrath Of Khan score, then ramps up the action. This 2022 Intrada presentation of the 1984 Search For Spock soundtrack is identical to the previous 2-CD release from the FSM label so owners of that edition need not apply here. Reissue of James Horner 2-CD sci-fi classic! Star Trek III: The Search For Spock soundtrack now joins the Intrada family of Star Trek feature soundtracks that include Trek’s IV, V and VI, scored by Leonard Rosenman, Jerry Goldsmith and Cliff Eidelman respectively.
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